Just a note on my Japanese Cyberpunk reviews. I’ve decided that in order to review these properly, I need to show some of the truly graphic shots. So far I’ve done this with I.K.U. and the just-updated Tetsuo, and I will certainly do this with Rubber’s Lover (review not up yet) and others as I review them. Why? Many reasons:

  1. You really cannot understand what Japanese cyberpunk is about without seeing the visuals. The “no boundaries” aspect of these films involve the most intense visuals one can imagine. To me this means my reviews are incomplete unless I include the more graphic ones.
  2. Chances are, most of you will never decide to watch these films. The textual reviews on the first page just don’t do them justice.
  3. Worse, if you do decide to get them, and I just give you a taste (on the first page of the review) without really giving you a sense of what to expect, you really won’t be prepared for what you get. By showing you the more explicit pictures, you’ll know what you’re buying.

Again, I’m guessing for most, you will find these images beyond the pale. But, um, that’s the intent. I’m not trying to glorify what’s depicted, but I do think it’s necessary to see these if you really want to understand the genre as expressed in movies. I will clearly identify that these type of images are behind the link, so you won’t be surprised. So if you strongly object to these images (for a variety of very valid reasons), then the easy answer is don’t click on them.

And BTW, for me to decide to spend the time to do detailed screencaptures of a movie, the movie has to rank at least as high as 6 stars. I simply am not going to spend the time doing this on movies that are substandard. This rules out Tetsuo II: Bodyhammer, for instance.

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Tron

Year: 1982

Directed by: Steven Lisberger

Written by: Steven Lisberger, Bonnie MacBird

IMDB Reference

Degree of Cyberpunk Visuals: High

Correlation to Cyberpunk Themes: High

Key Cast Members:

  • Kevin Flynn/Clu: Jeff Bridges
  • Alan Bradley/Tron: Bruce Boxleitner
  • Ed Dillinger/Sark/Voice of Master Control Program: David Warner
  • Rating: 8 out of 10

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    Overview: How could a cyberpunk review site NOT have Tron? We’re talking about the first CG movie, and truly, a groundbreaker VR movie. Make no mistake, this is a pre-cyberpunk movie, complete with corporate greed, theft, integration of human and computers, ubiquitous access to information, a dystopian world (inside the program, anyways), and pure cyberpunk visuals and style. While Tron is slightly cheesy in parts, its still a hell of a ride!

     

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    In Tron, a computer programmer (Jeff Bridges) who has his programs stolen from him tries to go back into the corporation to get them, but somehow gets sucked back into the game he developed. From there the fun begins, as Bridges has to square off against contestants and the Master Control Program in order to escape back to the real world. Most of this adventure takes place within the program world, and involves some awesome games and fun chase scenes.

     

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    Like the Wizard of Oz before, and eXistenZ and Thirteenth Floor after it, the players in the game bear a striking resemblance to their human users. Some movies call this “residual self image” - others just build this concept into the design of the system. But while this convention existed in fantasy realms, Tron successfully set the pattern for most future VR films - you look the same on the inside of the VR system as you do on the outside.

     

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    Tron has a rather silly aspect about it in that it continually uses computer terms in non-sensical ways. As steeped in computer-speak as we are today, these stick out like a sore thumb. However, at the time (1982), very few people would have noticed this. The idea was to just get the cyber-atmosphere permeating the movie, which Tron did most effectively. In setting the trend for most most cyberpunk movies that follow, neon colors are “In”, as is the idea of a single dominating color the permeates the movie - in Tron’s case we get mostly blue, along with red representing the bad guys.

     

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    Yes the FX are dated now (God I hope so!). We’re talking about the real early days of computer graphics. Still, some of the shots still hold up well, and overall, the visuals are still very enjoyable. Tron is designed to have a sense of wonder about it - this still works. The car race game in particular is still VERY fun! Another thing that still works is the music accompanyment - Wendy Carlos’s synthesizer-laden soundtrack fits this movie perfectly.

     

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    Overview: Jeff Bridges, Babylon Five’s Bruce Boxleitner, and David Warner as the evil bad guy (The exec Ed Dillinger, the game player Sark, and the Voice of the Master Control Program) all provide very fun performances. They are able to make this crazy environment work well enough that it still comes across as a rather cool cyberpunk flick. And truly, if you’re into VR cyberpunk movies, Tron is a MUST SEE - so much so that one point has added to this review score for its historical place in VR films.

    ~See movies similar to this one~

    Tags: cyberpunk movie review Tron

    This post has been filed under Security-Surveillance State, 8 Star Movies, VR Movies, Hacker Movies, Cyberpunk movies from 1980-1989 by SFAM.

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