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Another piece of the proto-cyberpunk puzzle is found. So far, proto-cyberpunk media has dealt more with the themes of cyberpunk. But what about the look, that Blade Runner-esque future with stratosphere busting skyscrapers and flying cars? Did Ridley Scott have that vision in his head all along?

NOPE.

As it turns out, there was a major influence that would spark the future visions of Scott and Gibson: A short comic about a private eye (or “nose” as the main character called himself) who is hired to retrieve a package. The story itself isn’t much (too short to call it a novel), but the artwork is what influenced Scott and Gibson.

(From Blade Runner Movie site) “Years later, I was having lunch with Ridley, and when the conversation turned to inspiration, we were both very clear about our debt to the Metal Hurlant [the original Heavy Metal magazine] school of the ’70s–Moebius and the others. “

Problem: Metropolis had these city scenes some fifty years earlier! Did Gibson and Scott ever see Metropolis? Apparently not, since they give their props to Moebius:

“So it’s entirely fair to say, and I’ve said it before, that the way Neuromancer-the-novel “looks” was influenced in large part by some of the artwork I saw in ‘Heavy Metal’. I assume that this must also be true of John Carpenter’s ‘Escape from New York’, Ridley Scott’s ‘Blade Runner’”, and all other artefacts of the style sometimes dubbed ‘cyberpunk’. Those French guys, they got their end in early.”

Fritz Lang and the Germans beg to differ.

My advice: Check both out and see who had the future first.

Review By: Mr. Roboto

Authors: Robert Venditti & Brett Weldele (illustrator)

Year: 2006, 2009

Category: Cyberpunk Books; Graphic Novels

NOTE: This review will cover both graphic novels The Surrogates and The Surrogates: Flesh and Bone.

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Coming to a big screen near you. With the Surrogates movies opening this Friday (Sept. 25), I’d thought we should check out the book that it is based on. Originally a five issue comic, The Surrogates shows life in 2054 Georgia (US) as a police detective searches for a person who is destroying “surrogates,” robotic avatars that people use to interact with the real world from the safety of their homes. There is also a prequel, The Surrogates: Flesh and Bone. The two books are combined into the The Surrogates: Owner’s Manual.

 

Synopsis: Lieutenant Harvey Greer investigates the destruction of two surrogates that is first attributed to a “flash storm.” A data-recording unit on one of them shows that they were actually destroyed by an electrical discharge from someone or something that would be called the “steeplejack.” Greer suspects that the steeplejack may be working for a religious cult called The Church of The Prophet, aka the “Dreads,” who are known to have a history against surrogates.

As Greer delves deeper into the mystery, his own surrogate is destroyed by the steeplejack, who plans to disable or destroy all the surrogates. Instead of replacing it, he decides to continue without it, and does find who is behind the steeplejack and the anti-surrogate plot.

In the prequel, Flesh and Bone, a homeless black boy is beaten and killed by rich white kids using their parent’s surrogates. This causes the Dreads’ anti-surrogate movement to swell, leading to a riot when the most reliable witness to the beatings is killed before them. After some negotiations, the Dreads are allowed to leave the city and setup a “nation” where they can govern themselves. In this book, Greer is a patrolman waiting to hear back about his detective test.

 

Back Stories. In between the chapters of ink-on-single color pages come some ephemera that sets a bit of background: A research paper on the benefits of surrogates, a questionnaire, news clippings, and even “pamphlets” from Virtual Self, Inc. (Life… Only Better) and The Church of The Prophet (The Dreads). These add to the story by filling in some back details about how and why the surrogates became so popular and despised. In particular, a news transcript about Zaire Powell III proves quite revealing on how he murdered his baby sister and then set fire to his home killing everyone else. After his release he founded the Dreads movement.

 

But is it cyberpunk? If you need to ask, you must not be paying attention. I can say with confidence that *YES*, The Surrogates series IS cyberpunk. If the beating at the beginning of Flesh and Bone didn’t beat that point home, consider this: Greer’s wife commits suicide when her surrogate is disabled.

But, there are still some questions left; Will the movie follow the novel(s)? Probably not exactly, but Blade Runner didn’t follow Phillip K. Dick’s novel exactly either. Will the movie be any good? I’ll let you know this weekend…

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Overview: Akira Club is an art book featuring cover art, sketches and outtakes from the paperback Akira collections. It’s a little pricey at thirty bucks when most the artwork is in black and white, and another set back is the format, which doesn’t match the Akira books. Though mostly presented in black and white, Otomo Katsuhiro’s artwork will blow your socks off. The artwork in Akira Club is incredibly detailed and the author’s commentaries and sketches really show you how much work has been put into the product. While penned many years ago, it doesn’t look a bit outdated. Akira is an epic piece of work at over 2000 pages and has won awards and prestige around the world. The animated movie based on the manga re-introduced the west to Japanese animation in the nineties. The quality of animation mirrors that of the manga and although large parts of the manga were cut from the movie, it still gets the story through to the viewer pretty well.

 

 

Background: The world of Akira is set after world war three and the destruction and rebuilding of Tokyo. Themes include transhumanism, corruption, low life and high tech and Akira comes across as incredibly cyberpunk, mostly focusing on the life of those on the ground in a super industrialized and militaristic Neo Tokyo. The artwork in Akira Club pretty much represents these themes in great detail. There’s a contrast between the giant, symmetrical skyscrapers which dominate the Neo Tokyo skyline and the life on the ground where there are a lot of organic and seemingly random shapes. There’s also a recurring theme of order put in chaos, like the front cover image; smooth motorcycle parts are jumbled together in a giant mess creating disarray where there once was a finely tuned machine, everything put together neatly.

 

 

A lot of the magazine covers show a destroyed Neo Tokyo behind mostly young people. The city being destroyed by a secret weapon created by the government, this gives a pretty strong image of the world being handed over to future generations ruined by our predecessors’ lust for more power through technological advances.

 

 

The Sections: The book is divided into four sections:

• Section One: The first section collects several full colour paintings of magazine and book covers, T shirt designs and promotional posters, supplemented with preliminary sketches and short comments from the author; Otomo Katsuhiro.

• Section Two: The second section is the biggest and focuses on the covers used for each chapter when Akira was serialized in Young Magazine. These weren’t included in the paperback collections because they’d break up the natural flow of the story, so having them collected here is kinda nice as the artwork is generally stunning. These do not include comments on the artwork but little musings on life by the author, which I personally found incredibly uninteresting.

• Section Three: The third section collects all sorts of odd artwork used in advertising and merchandise, there’s a lot of great art, but all in all it’s not as interesting as the last section of the book. Also included here are notes on the translation of Akira.

• Section Four: The fourth section is probably the coolest out of the whole book, although I wish it were longer. Titled, “Unpublished Works,” it shows panels and scenes that were never included in the finalized Akira comic books, some pages include parts that were included in the serialized version of the comic, but were cut from the paperback collections.

 

 

The Bottom Line: Having “read” through the book, I feel a little let down; it’s like there’s something missing. The artwork, though awe-inspiring, is as noted mostly in black and white, and I feel there could have been more colour illustrations put in to compensate for the large number of cover illustrations from Young Magazine. The last part of the book could also have been a little longer. At two thousand pages, I’m sure there is more unpublished material than on display here. I’d like to see the parts excluded from the paperback collections in better detail, preferably in entirety, as I’m sure others are as well. I’ve only had access to the translated collections and would like to know what I’ve been missing out on.

 

 

Should You Buy It? All in all, Akira Club is really for those with specialized interests, such as rabid Akira fans, anime historians and artists looking for inspiration in cyberpunk drawings of landscapes and dystopic scenarios. And even for these select few, the book isn’t perfect. However, I think of it as a nice addition to my bookshelf and I browse through it regularly, still “Ooh’ing” and “Aah’ing” at the incredible art. I wouldn’t say this is a must for cyberpunk or indeed Akira fans, but if you think you can afford it, it’s a good purchase and a great gift for those already familiar with the universe and story, be that through the manga or the anime version of Akira.

 

 

Ghost in the Shell: Stand Alone Complex (GITS SAC) is about to be released as a novel. Dark Horse Comics has the publish date slated for two days from now (May 24th). Originally, this was supposed to be released a month or two ago. Dark Horse’s description for GITS SAC is as follows:

 

In the not-too-distant future of 2032, the frontier dividing humans and machines has been crossed. Crimes comitted by flesh-and-metal cyborgs are investigated by Section 9, an elite counter-terrorist squad run by Chief Aramaki and his cyborg assistant, Major Motoko Kusanagi. Section 9 has faced countless adversaries in the real world and in cyberspace, but none like ‘The Awakened.’It is believed that this lethal group of terrorists can take over the minds and bodies of almost anyone. Used as tools to commit crimes against the state, the victims are unaware of who or what is controlling them. When Major Kusanagi captures one of the victims, she hacks into his cyberbrain to learn the ringleader’s identity-what she discovers leads her on a journey deep into the heart of cyberspace, a journey that shakes her to the core.

 

I’m not quite sure whether the novel will be exploring a Laughing Man variant type story from Season One, or whether this is something completely different. The “Awakened” thing doesn’t ring a bell for me though, so perhaps this is completely different. Also, I’m not sure if the cover above will be used or the more explicit cover floating around. In any event, I’m definitely looking forward to this.

 

 

The second volume is currently scheduled to be published on July 19th. Dark Horse’s description for Volume 2 is as follows:

 

2030 Tokyo: While patrolling Tokyo’s post-World War Three refugee zones Togusa, the newest member of Section 9, discovers that one of the most powerful cyber-criminals his squad has ever faced has plans to kill their leader, Section 9 Chief Daisuke Aramaki, in one of three stories in this collection, and it will take all of the members of Section 9 to stop him. The action heats up in the stories “Double Targets,” “First Love, Last Love,” and “Revenge of the Cold Machines.”

 

I don’t know whether there will be any artwork in these or not though - I kind of hope so as I love Masume Shirow’s work. I originally had a second paragraph above in the first volume description that seemed to indicate this as such, but in looking at it, it appeared to refer to previous GITS TPBs.