Year: 2003
Directed by: Hiroshi Hamazaki
Written by: Chiaki Konaka
IMDB Reference
Degree of Cyberpunk Visuals: Very High
Correlation to Cyberpunk Themes: Very High
Overview: Written by one of the most prolific anime writers, Chiaki Konaka (Who also wrote Lain, Malice@Doll, Hellsing, Bubblegum Crises, etc.), Technolyze is a virtual feast of visuals wrapped up in a Lain-style fragmented cyberpunk gangster story. Like Lain, the beginning is almost non-sensical, but creates the foundation for the mood of the rest of the story.
Texhnolyze is the name for the technology to make fully integrated cybernetic limbs like those above. The story follows Ichise, a former down-and-out boxer living in Luckass, a truly disturbed city with the elite rich side and the poor slums. Ichise inadvertently crosses the local mafia (called the Organo), and ends up getting an arm and leg chopped off. But luck would have it that he’s a perfect candidate for a hot chick Texhnolyze’s doctor’s experiments in the latest Texhnolyze research. Ichise carries around a capsule containing his dead mother’s body cells, which the doctor integrates into the limbs. Ichise spends many episodes figuring out how to get revenge for how he changed, but based on discussions with a girl who can see the future, his motivations change as the series moves forward.
This is NOT a kids story. Every episode has LOTS of gangster-like killings. We get lots of guns and a few cool sword fights. We also get some nice Texhnolyze deaths with fists going through faces. Truly, this might be described as Goodfellas meets Serial Experiments Lain. And while I haven’t gotten the last DVD set, I’m guessing this is is NOT going to be an uplifting story.
The Visuals: Unlike Lain, Texhnolyze is as Neo-noir as they come. The use of shadows is amazing. We get lots of stark white on blacks, interesting gray patterns, and lots of yellows and browns. Also, virtually every character is flawed and mysterious. While the anime is truly riveting, you won’t find yourself becoming attached to anyone. The characters simply aren’t sympathetic.
Texhnolyze is a virtual feast of visual textures and palettes. Whenever you look through a texhnolyzed person’s eyes in first person, you see almost a terminator-like display, only the screen is filled with noise. We also get the most incredibly detailed background sets. Truly, you feel like you know this city after watching a few DVDs worth of this. We also get great camera angles, with sweeping shots, extreme close-ups intermixed with psychedelic-like image merges. Top this with a terrific score and wonderful surround sound, and the WOW effect hits you in total.
The Bottom Line: Truly, its clear that the creators of Texhnolyze wanted to make something as overtly cyberpunk as possible. They truly have succeeded. Texhnolyze is not for everyone, as the story is violent, obscure, and cold. It is however, a truly awesome and totally original cyberpunk series!
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Tags: cyberpunk movie review anime Texhnolyze
Year: 2000
Directed by: Keitarou Motonaga
Written by: Chiaki Konaka
IMDB Reference
Degree of Cyberpunk Visuals: High
Correlation to Cyberpunk Themes: Medium
Overview: If you haven’t figured out by now that I have a soft spot for surrealist cyberpunk films, you will after this review. Malice doll is a terrific low-budget surrealist cyberpunk anime that takes place in an unspecified future, after all of mankind has been eradicated. This surrealist cyberpunk version of a pinocchio story focuses on a group of sex andriods called dolls (not unlike GITS2) living in their whore house who now simply drift through existence without any purpose. One Doll, Mallice, while exploring, encounters this strange tentacled beast who “rapes” her with about 40 tentacles (while one goes between her legs, the rest rip into her pretty much everywhere - this isn’t meant as an erotic scene, at least I don’t think so) and ends up transforming Mallice into a human. Malice then shares her “gift” by kissing all the other dolls and robots.
Malice@Doll is a very deep movie and traces some rather interesting notions. For instance, It challenges the notion that a doll made in man’s image, if given the chance, would choose to become a living organism that looked human - maybe they would choose something completely and utterly different. Simultaneasly, this anime also asks if you would be how you really see yourself, what would you really look like?
Malice@Doll virtually disappeared almost as soon as it opened for a couple of reasons. First off, it came right on the heels of Final Fantasy, a blockbuster anime. While its wonderfully shot, the animation quality simply doesn’t compare with the high budget 3D movies. Also, Malice@Doll is another one of those films that’s simply too wierd for most people, and ends up being categorized as everything from Hentai on down. Truly, this anime is two scenes removed from being a PG anime, and certainly wouldn’t qualify for anything past R. I happen to love it LOTS more than Final Fantasy though.
The DVD Extras: Another reason you want to buy this DVD is for its terrific extras. These include a college film class presentation on digital animation from Jonathan Clements - Co-Author of the Anime Encyclopedia. This is flat out terrific. In addition to tracing the change in Japan from cell animation to 3D animation (and the effects this had on the industry), Clements shows how Malice@Doll is one of those films that actually uses story elements to turn its technical weaknesses into strengths.
For instance, although their capalities for doing high quality stills are there, Motonaga didn’t have the equipment to do fluid movement. He solved this with a “story” solution - he made the movie about android dolls, who are SUPPOSED to be jerky in their movements. For the “human” scenes, they used cell animation as highlights - this makes for a striking difference in the animation (See shot above).
The Bottom Line: Truly, aside from the surrealist story, the reason to watch this is for the visuals. A lot of the visuals in Malice@Doll almost remind you of a Salvador Dali painting. The diversity is such that I could have taken about 40 completely different screencaps here. BTW, while Amazon sells this for 22 bucks, Deepdiscountdvd sells it for $14.
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Tags: cyberpunk movie review anime
Year: 1988
Directed by: Shinya Tsukamoto
Written by: Shinya Tsukamoto
IMDB Reference
Degree of Cyberpunk Visuals: Very High
Correlation to Cyberpunk Themes: Very High
Rating: 10 out of 10
Overview: For another movie that taps out the weird shitometer scale, and the pinnacle of Japanese cyberpunk flicks, Tetsuo is simply terrific! I must warn you that this movie is NOT for everyone. We get a bevy of disturbing images, including extreme body manipulation, anal rape of a guy by a mechanically "enhanced" female, rape in the reverse by a man with a literal "power tool," and truly the most bizarre set of images one can imagine. But in all this, there are some truly interesting messages that emerge. Unlike other Japanese Cyberpunk films such as Rubber’s Lover, which is more of a one track film (extreme situations to prompt greater than human abilities), Testsuo provides a wonderful commentary on the direction of mankind.
This is one of the best opening symbols for any movie I can remember. It sums up Tsukamoto’s message perfectly!
Tetsuo’s Message: While Tetsuo is a really bizarre, low budget, surrealist underground Japanese cyberpunk movie, it has a number of interesting themes running through it. On a societal level, Tetsuo explores how man’s technological dash to the future has resulted in an acute fear of technology, and that its ever encroaching progress is destroying our humanity. This is symbolically represented by a runner surrounded by scrap metal, and then later, a man in running gear who’s slowly being taken over by machinery when competing with another machine man.
The clear message at the end is that by constantly competing with one another in our strive for perfection in an orderly society, we are destroying humanity at its core. Technology is our tool of choice for this destructive competition. The shot of the augmented foot above really captures this well, as does the race scene below.
I can’t convey how truly disgusting this scene comes across
On a personal level, Tetsuo explores how guilt and repression can turn people into virtual "monsters." In this, we see an instance where an accidental car crash makes someone completely lose all sense of humanity and boundaries. This seems to fit with Asian cultures in that they are usually very reserved, but when they "cross" that line, the level of anger and craziness almost doesn’t have a limiter.
In combining this with the societal thought, Tetsuo posits that we are using technology as a crutch to cover up our own frailties, but that in doing so, we only serve to subvert our humanity. When this subversion is released, it becomes a perversion of immense proportions. In this sense, Tetsuo truly stretches the cyberpunk notion of "no boundaries" to its fullest.
Yes, she’s about to do what you "think" she’s planning to do with that thing!"
The Bottom Line: Tetsuo is a great example of what a low-budget scifi film can accomplish. I thought the cinematography is absolutely brilliant. We get cool stop-motion animation, incredibly interesting shadows and film angles, and wonderful use of different shot textures. The industrial sound track furthers the truly bizarre mood. Truly, I can’t say enough of how impressed I am by this film. Again, Tetsuo is DEFINITELY not for everyone, but it certainly belongs in the top 10 best cyberpunk films ever made!
Screen Captures - ADULTS ONLY: I do have a second page of screen captures, but I MUST warn you - these are VERY graphic. They show one of the most intense sex and violence scenes every put on film. If you want to get a sense of he the extent that Japanese cyberpunk fullfills its “no boundaries” approach, take a look. But this page is intended for adults - and truly, only a few select few of those. Don’t look if you’re not comfortable with watching these things.
Tetsuo Page 2: Screen Caps - ADULTS ONLY–>>
Year: 1998
Directed by: Alex Proyas
Written by: Alex Proyas, Lem Dobbs, & David S. Goyer
IMDB Reference
Degree of Cyberpunk Visuals: Very High
Correlation to Cyberpunk Themes: High
Key Cast Members:
John Murdoch: Rufus Sewell
Emma Murdoch/Anna: Jennifer Connelly
Inspector Frank Bumstead: William Hurt
Dr. Daniel Schreber: Kiefer Sutherland
Overview: Dark City was another one of those movies I was on the fence concerning whether it was cyberpunk or not. Yes, it has the visuals in spades, but what about the rest? After watching it again, I decided the answer was an emphatic Yes. Although we don’t really have computers or cyborgs, we certainly have machinery controlling human life - we have invasive and negative impacting technology, an underground, and truly, the strangers have ubiquitous accces to information. Also, Dark City fully exploits cyberpunk’s film noir roots.
But what really sold me was the whole focus on transforming the memories to get at the root of what humanity is. These strangers, or aliens, if you will, are engaging in virtually the same excersize we see from cyborgs in many a cyberpunk film - they want to understand humanity for the expressed purpose of being, or at least acting human.
And WOW! What a great film this is. I end up watching Dark City at least once or twice a year, and always end up loving it all over again! This film has awesome style, great acting, terrific suspense and truly interesting and deep ideas!
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