Year: 1992
Directed by: Geoff Murphy
Written by: Robert Sheckley (Novel), Steven Pressfield et al. (Screenplay)
IMDB Reference
Degree of Cyberpunk Visuals: Medium
Correlation to Cyberpunk Themes: Medium
Key Cast Members:
Alex Furlong: Emilio Estevez
Victor Vacendak: Mick Jagger
Julie Redlund: Rene Russo
Ian McCandless: Anthony Hopkins
Overview: No, this is NOT a great movie, but I love the Rolling Stones, so sue me!
In Freejack, the earth’s environment has become severely damaged, to the point that most people suffer some form of illness. But technology has advanced to the point that someone’s consciousness can be transferred from one person to another. Also, a version of time travel, where a body can be taken forward to the “present” (2009), while risky, has become possible. Now, bounty hunters from the near future raid the past for perfect bodies with flatlined brains to bring forward in time to sell to the highest bidder. Emilio Estevez plays a race car driver who crashes and dies in a spectacular way on live TV back in 1992, but just before he dies, is taken to the future by a shady character played by Mick Jagger.
The Bottom Line: Freejack loses out incredibly on believability, as does it for its insanely fast prediction for both the destruction of the earth and the relatively rapid speed of technology progression. In retrospect, maybe this movie should have taken place in 2049 instead. One wonders Murphy took a cast with Emilio Estivez, Rene Russo and Anthony Hopkins and then churned out something so cheesy. It’s movies such as Freejack that gave cyberpunk films a poor quality image by the early 90s. Still, Jagger is pretty fun in this, as is the rest of the cast. As long as you turn off your brain, you should enjoy some decent cyberpunk visuals here.
EDIT: ETM reminds me in the comments below that Freejack also does bring up an interesting question that needs consideration: if technology gives life to a person, does the one who owns the technology own that life? This alone bumps it up to the “medium” catagory in the cyberpunk themes.
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Tags: cyberpunk movie review Freejack
Year: 1997
Directed by: Albert Pyun
Written by: Albert Pyun, Ed Naha
IMDB Reference
Degree of Cyberpunk Visuals: Low
Correlation to Cyberpunk Themes: Medium
Key Cast Members:
Rating: 5 out of 10
Overview: In this strange apocalyptic tale, most all the humans have died out and now two different groups of androids spend their time killing one another. Unfortunately it appears as if the humans are returning, so they need to find weapons to protect themselves. In one western town, these two groups have reached a stalemate while looking for a hidden “treasure” stash of guns and ammo. Along comes the lone warrior, Bruce Willis (Last Man Standing), er, I mean Clint Eastwood (Fistfull of Dollars), er, I mean Toshirô Mifune (Yojimbo), er, I mean Rutger Hauer - only this time he’s a cross-over android with parts from both rival robot types. Did I mention that he’s fast with his whatever the fuck that gun-looking thing is at his side?
If you know any of these movies, you know the plot here. Some parts are done decently, but others could really be improved. In any event, Omega Doom wins on low-budget style points while it loses out on about 10 minutes of missing explanations. Why do the androids need water? Why do they breath air? Why do they both fear death but seem to be forced to follow their programming? More importantly, why can androids ignore their programming when their emotions are heightened in key scenes? Is this the same reason that my computer uses to crap out when I’m under an intense deadline?
The Bottom Line: Not a high quality picture, but maybe not quite as bad as others are saying. There are some interesting fighting scenes, and I find western cyborg films appealing. And truly, for as low budget as this movie was, Pyun produced at least a semi-watchable product.
Year: 1992
Directed by: Brett Leonard
Written by: Brett Leonard, Gimel Everett & Stephen King (original short story, but who filed a lawsuit to have his name disassociated from this)
IMDB Reference
Degree of Cyberpunk Visuals: High
Correlation to Cyberpunk Themes: High
Key Cast Members:
Dr. Lawrence Angelo: Pierce Brosnan
Jobe Smith: Jeff Fahey
Overview: Pierce Brosnan as 007 stars in this scifi espionage flick about a guy with a lawnmower who tries to take over the world…Well, that’s not exactly it, but close
This might be another one of those I’m out to lunch on, but I’m guessing most have seen this flick. Lawnmower Man was originally derived from a Stephen King novel (although considering that King sued to have his name removed, we might infer he wasn’t thrilled with this movie), and is about a genius government funded scientist (Brosnan) who’s doing research on increasing human intelligence through using drug-assisted virtual reality experiments. His research, originally done on chimps, was cut off when a chimp goes wild, so instead of giving up, he does the research in his basement, using the local lawnmower dullard as his test subject.
Over time, the Lawnmower guy becomes awesomely intelligent, so much so that he grows more powerful than anyone could have possibly imagined. So much so, in fact, that he becomes a potential threat to mankind!
The Bottom Line: Lawnmower man is an early entree into 3D graphics. The graphics were rather decent at the time but certainly looks dated now. It’s still a nice scifi thriller that fully qualifies as a cyberpunk movie in every way possible. I enjoy this, and generally like Brosnan movies, but maybe its just a guilty pleasure of mine. Whereas I find it watchable in a cheesy sort of way, I can certainly imagine others scoffing at some of the insane plot points (like going from a multi-million dollar a year funded defense project, to getting better results in your basement). But even if you find this one watchable, it’s a pretty clear bet that you won’t stand a chance at liking the sequel.
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Tags: cyberpunk movie review